The NJNM Podcast: Ep. 61 - Big Trouble in Little China (Guest: Vince Mancini from Filmdrunk)

In this week's episode, Ben and Tyler are joined by Vince Mancini (from Filmdrunk.com) to discuss John Carpenter's 1986 film, Big Trouble in Little China.




Introduction

Character Name Game Intro - 1:49

Media Consumed

Tyler

"Free Agents" cancellation - 2:27
The Burning - 3:53
Bridesmaids - 4:40

Vince
"South Park" - 8:05
"Chopped" - 13:03

Ben

Conan O'Brien Can't Stop - 14:58
Dracula vs. Frankenstein - 20:20

Review

Big Trouble in Little China - 24:45

Wrap-Up

Next Week: Raging Bull -56:32

Listener Voicemail/E-mail/Twitter -57:20

Character Name Game - 1:00:08

Where You Can Find Us -1:02:37

The Ides of March

My primary concern heading into The Ides of March was the possibility of the film being a bit too pretentious for its own good. After all, political dramas have a tendency to be stuffy and have a smug sense of self-importance. Thankfully, none of that is found here. Instead, we get a smart, well-executed story highlighted with exceptional performances and Clooney's sure hand guiding the picture, behind the camera as well as in front of it.

The Ides of March
Co-writer/Director: George Clooney
Starring: Ryan Gosling, George Clooney, Philip Seymour Hoffman, Evan Rachel Wood

In the same way that Moneyball provided a fresh perspective on a baseball movie, The Ides of March gives a dramatic look at the behind-the-scenes scheming of election films. Though Clooney is primarily known as an actor, this is his fourth feature film as a director; with solid movies like Confessions of a Dangerous Mind and Good Night, and Good Luck on his resume, it's no wonder he's able to amass such talented casts for his projects. The multi-talented superstar also lends his hand to the screenplay, co-writing with his producing partner Grant Heslov and Beau Willimon (whose play, "Farragut North," is the source material for this movie). Clooney's collected persona seems to permeate the film through every frame: the movie itself definitely takes a stand for one side of the political spectrum (Clooney himself is an outspoken Democrat), but The Ides of March is impressive because it has a sense of conviction without condemnation. The ideas presented are not preached but practically stated, and regardless of the audience's personal political beliefs, anyone can watch this movie without his or her feathers being ruffled too much.

While idealistic political advisor Stephen Meyers (Gosling) masterminds the primary campaign for Democratic candidate Mike Morris (Clooney), the young consultant makes some troubling discoveries about loyalty, compromise, integrity, and the reality of politics. Tempted by his enemies (Paul Giamatti as the rival campaign manager), seduced by an intern (Evan Rachel Wood), tested by his boss (Philip Seymour Hoffman as Morris' campaign leader), and hounded by a reporter (Marisa Tomei as a journalist for the New York Times), Meyers soon realizes the world of politics isn't easily traversed without sacrifice. 

This film has one of the best casts assembled this year. Everyone does fantastic work and the Oscar nominations are sure to come once awards season rolls around. Thus continues the Year of Our Gosling, 2011: after a stoic role in Nicolas Winding Refn's Drive, Ryan Gosling is allowed more opportunities for actual emoting and takes full advantage of them, delivering one of the best performances of the year. He's terrific as the starry-eyed advisor, a man who honestly believes in the cause he's fighting for, slowly revealing to the audience his willingness to justify the final result of the election. Philip Seymour Hoffman and Paul Giamatti fit right in with their characters, having played variations of them before (see: Giamatti in 2009's Duplicity). Both actors were wonderful, each bringing an intangible quality that captivates the audience - we hang on their every word. Evan Rachel Wood was outstanding as the young intern who provides a jolt of energy to the story, and from what I've seen of her career, this is my favorite performance of hers. Marisa Tomei (Wood's co-star in Aronofsky's The Wrestler) also does some good work with a small role.

The look of the film can be a bit stark at times, but there's some great imagery here. Clooney's character gives a campaign speech in front of a giant American flag with thousands of people cheering him on while Gosling and Hoffman's characters argue just behind the flag. On one side, the flag represents hope and progress, and on the other side, it hangs ominously as a weighty reminder of the stakes of every decision the key players make. Every directorial choice in the movie felt calculated (in a good way), and Clooney continues to prove himself as powerful creative force in Hollywood.

The Ides of March is a must-see for audiences who love strong dramatic performances. It's not as much a great political movie as just simply a great movie, and this could easily end up scoring a nomination for Best Picture. As someone who isn't heavily invested in politics, I was captivated during the entire film and definitely recommend checking it out. Until next time...

Real Steel

It will be impossible for Real Steel to avoid comparison to Michael Bay's Transformers films, since they're all ostensibly about giant anthropomorphized fighting robots. But despite the surface comparisons, the films don't actually share very many qualities. The Transformers series is brash and loud, while Real Steel is a classic heartfelt underdog story with the DNA of Rocky, Over the Top, and many more sports movies pumping through its robotic veins. It's manipulative in all the right ways - similar to this year's other "against all odds in the ring" movie, Warrior - and even though it's about robot boxing (I know, I thought it sounded stupid, too!), it's actually a surprisingly effective story with relationships at its core.

Real Steel
Director: Shawn Levy
Starring: Hugh Jackman, Evangeline Lilly, Dakota Goyo

In the near future, human boxing has become too boring for audiences thirsty for destruction. Flesh isn't capable of sustaining the big hits that crowds demand, so boxers are replaced by robots. Ex-contender Charlie Kenton (Jackman) is down on his luck, touring the country doing robot boxing exhibitions he controls remotely from the sidelines. When his ex-wife dies, Charlie becomes responsible for the well-being of his estranged 11-year-old son, Max (Goyo). Stuck with the kid for the summer, Charlie soon realizes that Max is a video game nut who knows a thing or two about robots. With Charlie's prizefighting experience and Max's busted up old robot Atom (equipped with "shadow" function), the two set out to make it to the top and end up repairing their damaged relationship in the process.

For me, the biggest surprise of Real Steel wasn't how much I enjoyed it, but that it came from director Shawn Levy. This is the same man who directed The Pink Panther remake, my disdain for which has been well-documented on this site. (I literally didn't smile the entire time I watched that movie.) He has also directed less offensive fare, including the Night at the Museum movies and Date Night. But this is his first foray into any genre that isn't comedy, and Real Steel proves the man deserves a chance to direct any genre he wants, since he convincingly pulled off a science fiction/sports/action/drama.

This is a pure underdog tale, and though the setting and broad concept may be original, it's pretty standard as far as the story goes. But it's a well-told story with some outstanding visual effects. Levy and his screenwriters make every beat work, and add some real zest to the fight sequences by using real life boxing legend Sugar Ray Leonard as the motion capture actor for Atom, Max's robot on the rise. The blending of CGI and practical effects is outstanding, combining computer created characters with real eight-foot-tall robots.

Hugh Jackman is believable as an ex-boxer, and his character is the kind of reckless rogue you love to hate. Evangeline Lilly plays Bailey, Charlie's ex-lover, gym owner, and mechanic who helps the father and son team forge their relationship. Thankfully, Lilly separates herself from her "LOST" character Kate Austen; this isn't a brilliant performance from the actress, but it's enough to see she's got potential and good to see she didn't get pigeonholed into playing the same exact character in everything. And though it's a well-documented fact that I'm not crazy about kids in movies - they are almost always written as either an annoying hindrance to the protagonist or a sage giver of advice - Dakota Goyo didn't bother me because his character had perhaps the most common sense of anyone in the film. For the most part, he made good choices and smart suggestions, which is a relief to see on screen every once in a while. There are also some tiny moments for guys like Kevin Durand (in a "LOST" reunion with Lilly) and the inexcusably underutilized Anthony Mackie (Lilly's co-star in The Hurt Locker...huh), but not enough from either to get excited about.

This movie was one of the biggest surprises of the fall for me, considering I laughed aloud when I saw its trailer for the first time. Despite the ludicrous concept, the story (based on Richard Matheson's short story) is surprisingly effective and the movie earns all of its moments. To sum it all up in a quote for the poster: Real Steel is the real deal. Until next time...

The NJNM Podcast: Ep. 60 - Charade

In this week's episode, Tyler and Ben discuss Stanley Donen's 1963 film, Charade.




Introduction

Character Name Game Intro -2:47

Media Consumed

Tyler

Gamera series - 3:08

Bride of Frankenstein - 6:20
Nick Lowe concert - 9:25

Ben

First two episodes of "Pan Am" - 10:45
Drunken Master - 14:20
Real Steel Q&A with Shawn Levy and Evangeline Lilly - 18:00

Review

Charade - 25:49

Wrap-Up

Next Week: Big Trouble in Little China -53:52

Listener Voicemail/E-mail/Twitter -54:57

Character Name Game - 57:57

Know Your Specs -1:01:29

Where You Can Find Us -1:07:55